نشریه نقد ادب معاصر عربی
پیاپی 2 (بهار و تابستان 1391)

What is written in the analytical essays, "linguistic - structuralism" of the ode alzel-o- va alsalib" Salah Abdossabor Egyptian poet and writer of free verse movement in the holders flag and Arabic literature from the monk Postmodernism has influenced thought Western. In the first study to try it reviews linguistic (phonetic and grammatical) ode to the form and face is concerned, we paid and then reviews the content and infrastructure and earn ode corpus structural theme of this poetry reading of the poem famous Egyptian poets. In this paper it is trying to investigate what was written before the objectives and results of various qasideh do and we explain the victory of the poet and describe the poem mentioned in various aspects.

One of the most important topics of the literature crisis of the contemporary Arabic poems is the Intertextuality phenomena. This phenomenon is the think of the meaning or term transfer or both of these from one text to another or from one literary work to another. Relationship between a text with another texts is one of important subjects wich are important to researchers:Roland bart, Gerard Genette, Julia Keristeva. This theory is a bout connection between texts that lead to creat a new text. based on this theory every text means based on texts that are read before and these text are beased on codes that we know before. Great substance of Quran is known to Arabic poets and Ahmad Shoughi is one of these poets that his poems have a deep relationship with religion that we cant know their meaning without understand ding genotext and knowing the relationship between them.This research has been conducted in an analytical – descriptive method based on Quran Intertextuality in Ahmad Shoughi,s poems.

A literary work is a writing in which the common language is manipulated by the methods and arrangements used by poet to produce an unfamiliar language with a new system and this is the same thing which is referred to as defamiliarization. It means that the poet sets aside familiar meanings of words and gives them new meanings. It changes the normal application of language and foregrounds its characteristics. According to the structuralists, deviation is one of the most effective ways of foregrounding the language and defamiliarization in poem used by most poets. In the contemporary Arabic literature, most poets used this method following rapid changes after the Second World War and the effects of language and culture of European countries. Nazar Ghabani is one of the poets who used deviation towards foregrounding their poems. He took effective steps towards different types of deviation under the influence of west culture and literature and by a new view to the heritage of Arab poem. The necessity of understanding these deviations resulted in the investigation of the book'' alrasm belkalemat '' by Nazar Ghabani to specify which type of deviation he had used more as well as the frequency of each of them. On this basis, systematization deviation, phonetic and vocabular deviations are the most frequent techniques of Ghabani's poem. disparate of lines is the most highly usedsystematization evolution and saturation is the most current phonetic evolution in Ghabani's poem. Use of new expressions has a higher application than other cases of vocabular deviation.

Today, literature is closely related to several fields of science including Psychology. The role of Psychology in literature is worth studying from different perspectives. One role of Psychology in literature is character analysis which is an important element in any literary work, and in plays, in particular. In plays the playwright presents a real picture of his characters in the minds of his/her readers. Using content analysis, this study is purported to carry out character analysis in one of the famous contemporary Arabic plays entitled "Hallaj Tragedy" by Salah Abdolsabour, and analyse the different aspects of the characters including: Residents,Dynamic,contract,Typical and overall and put each character in its right place. In this article, the realistic role of character analysis will be discussed as well. In this tragedy, with the help of Hallaj, the realistic thoughts and ideas of the playwright are displayed and using the dialogue element, its negative, positive, and moderate and resistant characters will be introduced.

ghabeel as the the first murderer who in the creation arena committed the first inherent sin by killing his brother habeel is from those characteristics that many of the poets in the world literature exploit him as a symbole of rebelliasness and uprisoing or corruption and devastation in their poetry.Badr-shaker assaib the Iraqi poet includes one of greatest poets In the contemporary ‘arabic literature domain who in his poems’always exploits this character for shetching human kind corruotion and destructiveness as the origin of shedding blood and tyranny.The author in this research wants to analyze ghabeel characteristics as the contemporary human evil symbol in badre-shaker assaiab poetry after a brief review of “habeel” and “ghabeel” story in the holy qoran and narratives’ so poet picturing various dimensions of this symbol’starts with reporting “ghabeel” as a mischief agent’constant conflict with “habeel” as a victim symbole and myth and continues with an explanation of corruption and destruction and grief result from “ghabeel”rulership in various dimensions iraqu’s social’economical and political life and shetching the poem’s emotional atmosphere and finally comes to its end by analyzing the final dominance of ghabeel)evil person(pondering in poet’s mind.

Omar Abu Rishah, in the Syrian poetry as one of the modernists and the loop is classic and romantic. His poems have been written in the style of classical Arabic poetry. And effects of literary schools, such as classical, romantic and some symbolism have appeared in his poetry. The poems of the poet from the poetry of his order, like other contemporary poets, many of the priority axes and refuse, but he had some issues further object of desire. Although this topic is also found in the poems of other poets; And high frequency, however, important and unique look at the issues of analysis and critique of the poet to be cause of the present article is assigned to this important endeavor. The poems reflect the poet's evidence that the most important theme of his poetry include Ghazal and describing the physical characteristics and psychological states of women; Women in society, and female Palestinian homeland; Political issues related to political issues in the case of Palestine and Syria, and especially the French-colonial struggles of the people; The mission of the Prophet of Islam (PBUH), and then discusses some of the events of Islam; Describe the nature in his poetry as symbol in the incidence found; some of the lasting effects, Different occasions, which is comprised of general and specific events. In this section, there are some poems about great poets.

Gaston Bachelard, the philosopher, mathematician, physicist and French literary critic, relying on the four elements of water, wind, earth and fire, provided a new way of critique in the literature. In his critique, the poet in his mind Envisions the idea of dreams and imagination, and thought into words, then, he converts these ideas into poetic images in the shape of words. According to him, the four elements are the source of inspiration and imagination that ensue influence and wonderful abundance. He consider water to be a live passionate female creature, who infuses different fantasies in the different states to the audience. This kind of critique is seen in some ode of naturalistic poets including Izzo-al-din Al-Monasara, Palestinian poet, to compose this ode paid too much attention to nature and the water along with other natural phenomena has an important role in this ode. Sea, springs, rain, dew and tears, each one in this long ode, has an important place and with their real and symbolic implications, they created the fiction that in many cases, based on Bachelard’s imagination, can be interpreted. It is worth noting that, according to the postmodern tendencies of Monasara, the evidence is not complete. In some cases his poetic imagination is not the same as Bachelard’s imagination. Using the element of water, the position that water has in Monasara’s poetic imagination, the role of water in the poet illustrations and to what extent it is consistent with Bachelard’s innovative critique. This paper is an attempt to show Monasara’s imagery and imagination. For example, the inspiration of flowing waters, static, deep, dark, pure and sweet, used in the ode that are consistent with Bachelard’s method, have been evaluated.